So yeah! Happy New Years to you and yours. May you get what you want and not what you deserve!
Blessed Be ;)
In memory of Angelo Head, RIP
Wisteria Autumn Fires 2010 from Sara Adrian on Vimeo.
In other news, I've been crazy busy since I've gotten back from Florida (which was very nice by the way). I've had to review more movies for the festival, I have about six that I need to see by Tuesday. It's been a good experience, and the ones that are going to get in I think you'll like. I'll give my personal opinion on them later when the judging is done. Then there's the painting... I feel like I've had no time to do much else.
By the way! Last Saturday I got to go to the opening of the John M Bennett Skylab Retrospective and Skylab Mailart Visual Poetry Exhibit. Very cool, I got to see my friends from the Post-Neoabsurdist Anti-Collective perform, plus John M. Bennett's visual poetry & mail art he's collaborated on from all over the world. Good Times. Below is a sample of John M. Bennett reading a poem at the Avant Writing Symposium, which just ended (see photos of the event here).
So what I have right now is a kind of short story and a poem...
Williams Canyon
They giggled like doves together. She said ‘come to Williams Canyon with us tonight!’. I followed them both as they held hands before me, She with her impossible beauty and her internal damage, he with his rough leanness and his simple thoughts. I plodded slowly behind, watching them, listening. The small town we lived in fell away to a dirt road, and the rocks that would have been tan or red began to arc up on either side.
We come to a sign, “DO NOT ENTER” which we ignore as children do. What was left to is was a road long since abandoned, the memory of a creek, and the canyon walls climbing ever higher. We continued on, at times I lost sight of my guides. They were too busy with each other, trying to impress the other with stories or wry jokes, they seemed innocent, but so was I, and I knew it.
Eventually whatever road was left was gone, giving way to gravel and scrub oak. I picked my way through the rocks, slowly climbing till we reached the end. A waterfall trickled down to a small pool below us, and my friends slipped away to attend to the flirtations natural evolution for a moment. Leaving me to contemplate, I turned to see where I came from.
I have never seen a moon like this. She hung low in the sky, large yellow and full. Mountains framed her, the winking lights of Manitou decorated the dark base. I wanted to ask it everything, what was I supposed to be doing, why was I in this foreign place, what will happen next? There was no sign, no answer. Stars didn’t shoot across the sky, no animal revealed itself, it was just the scene before me and myself alone to contemplate it for that one brief moment in time.
The couple emerged dusty after beating against each other. We made our way home much as we came, but I felt like I had an answer no matter how undefined. All I could do is go forward, in the moment.
Surgery
A constant dissection running through my mind
Pulling you open with my mouth, teeth, tongue.
Flaying you, spreading you open.
Rendering you helpless.
Humility and shame will not protect you
Bodies clothe expression
Lay aside fear
This won’t hurt much, I promise.
After your assembly
When I have seen what I have recreated
I will whisper silently
Do it to me.
Here's something somewhat local to me, Roger Drawdy and the Firestarters performing Hallowed Ground (music starts at :25, -shrug-)
Jim Kempner writes, directs and stars in The Madness of Art along with his often co-opted Gallery Director, Dru Arstark, numerous Assistants, Interns, Art Handlers, Dealers and Artists.
The Madness of Art has been constructed through years of videotaping situations featuring artists such as Robert Indiana, Tony Fitzpatrick, Charlie Hewitt, Bernard Venet, Yoko Ono, and Steve Giovinco, as well as clients and family.
It is a fun and refreshing view of art from the gallery perspective.
The Gallery itself, Jim Kempner Fine Art, is located at the epicenter of the New York Art scene at 10th Avenue and 23rd Street. Each episode features a range of contemporary art and artists work of photography, prints, drawings, sculpture and paintings.
Stay tuned! New episodes will be revealed weekly!"
and now, some video crapEphemerisle Documentary 2009b by Jason Sussberg from The Seasteading Institute on Vimeo. My mind isn't blown, but looks interesting... but it also kinda looks like an art-douch boat party. We shall see how that develops.
LADYFAG in ANASTASIA & SNEGUROCHKA from Stylelikeu on Vimeo.
I keep thinking it's later than it is. Ham is falling all over me, my horns are covered in pig.
So um... hey, I saw you over there and I thought you were rather attractive. Would you like to go back to my apartment and I'll show you my etchings?
I want a skirt made of earthworms, living worms... but sitting would be a problem.
I'm not as vulgar as you think you are.